"[...] Oscillating between micro and macro, in a laboratory where everything is crystal clear, the performer's body
moves around looking for ways to represent the landscape: the shadow of crossed hands creates ripples in the mountains;
the joints reveal their stratification and interdependence; every level of reality is a skin or relates to it, from the innervation
of wood to sweat imprinted like an icon on a shirt.[...]
The stage space is a real person in this show; a person who is anatomised rather than questioned, a laboratory slide
rather than a mirror. This does not translate into an absence of affection; beyond the undisputed primacy of the brain,
during the show we develop an unusual tendency to become attached to the small, to the minimal, whether it be the stage model
that interacts with the scene itself, or the tiny dance of eight white balls.
Stefano Serri [ "La vastità dei dettagli” ]
