"Nicola Galli's silhouette stands out against a veil, the only boundary of a performance that knows no hierarchies between artistic genres.
The sounds of a distant and at the same time pervasive nature envelop the audience, who inevitably lose themselves in a continuous
stimulus of colours and rhythm. The dancer's body unites with the music, on which it almost seems to depend until it becomes an integral
part of it. On what appears to be a blazing sunset, another creature - the dancer Giulio Petrucci - wanders in the solitude of this stage that
has brought the whole of existence in front of our gaze: from the initial dawn, to the abysses of what seem to be the deepest oceans.
They meet each other, hide from each other, defend each other and finally get to know each other until they rediscover each other in their diversity,
imitate each other in a pas de deux, in movements that accompany and harmonise in this desert immensity of modern existence."
Erica Baglio [ www.exibart.com - 09/2024 ]
"Nicola Galli, a dancer of rare plasticity, accompanies the audience in the misty Deserto tattile, an emotional and physical journey into a dark volumetric space out of time.
The sense of touch here is a personal exploration of the ‘blind’ conquest of ‘other’ presences. Galli is a naked creature with shapes in definition, slowly moving
with a constant metamorphosis and crossing, exploring, the space enveloped in a penetrating sound environment. Touch is explored with the skin,
with the objects it encounters, but also with light: flashes and neon spun and thrown behind the backdrop reveal the presence of another creature in this desert."
Maria Luisa Buzzi [ Danza&Danza Magazine - 11/2024 ]
